From Head-Fi By Moonstar
Price & Availability:
Package and Accessories:Inside the box are the following contents & accessories;
- 1 x Questyle M15 Ultra Portable USB DAC/Amplifier
- 1 x USB Type-C to USB Type-C Low Profile Cable
- 1 x USB Type-A to USB Type-C Low Profile Cable
- 1 x Print Material (Instruction Manual & Guarantee Card)
Design & Build Quality:
The Questyle M15 is an amazing looking USB DAC/Amplifier that offers a unique visual experience with its CNC machined aluminium housing with a transparent top cover, which feels very premium and robust when you hold it in your hands.
The M15 is an Ultra Portable USB DAC/Amplifier with dimension of approx. 61.8[L] X 27.2[W] X 12[D]mm without the low profile cables that are included inside the package.
The main body that is made from CNC Machined Aluminium alloy material is in black colour and shows a rectangular shape with slightly rounded edges.
- DAC chip : ESS ES9281AC
- Frequency Response : ±0.1dB (20Hz-20kHz)
- THD+N : 0.0003%
- SNR : -130dB
- Output power : 3.5mm: 11.97mW @300Ω, 4.4mm: 22.60mW @ 300Ω
- PCM : up to 384kHz (16/24/32Bit)
- DSD : up to Native DSD256 (1Bit 11.2MHz)
- Dimension : 61.8[L] x 27.2[W] x12[D] mm
Hardware & Software Features:
A) DAC (Digital to Analog Converter):
- Green: Sample rate is 48kHz or less.
- Red: Hi-RES lossless files up to PCM 88.2kHz~384 kHz & Native DSD64~DSD256.
- Magenta: The M15 is performing the final unfold of an MQA Core stream.
Inside the box are two low profile USB cables, one USB Type-C to USB Type-C and one Type-A to USB Type-C cable to connect the M15 to your Digital Music source.
Devices offers a plug and play function that supports Android 5.0 and above, Apple iOS devices such like iPhone and iPad, Windows PC’s with Win10 1803 and above, and Apple computer with MAC OS.
C) Amplification & Background Noise:
The Questyle M15 is a very powerful device especially for an Ultra-Portable USB DAC/Amplifier thanks to the use of its patented SiP modules, for a total of four CMA AMP engines. This quadruple drive amplification circuitry gives enough out power to drive even high demanding planar headphones such like the HiFiMAN Sundara or SIVGA P-II.
Questyle’s Current Mode Amplifiers are characterized by their small footprint, low voltage operation, and minimal power consumption. Current Mode amplification offers also a low impedance (according to Questyle that is not listed on their specs), a bandwidth up to 1MHz and a Total Harmonic Distortion of 0.0003%.
Here are some Technical specs about the output power of the Questyle M15:
- 3.5mm: RL=300Ω, Po=11.97mW, Vout (Max) = 1.895Vrms, THD+N=0.00045%
- 4.4mm: RL=300Ω, Po=22.60mW, Vout (Max) = 2.624Vrms, THD+N=0.00057%
What I really like and immediately noticed on my first listen to the M15 was the ultra-clean and dark background that allows you to hear and to discover even the smallest micro details, which is quite impressive for a device with such a small footprint.
D) Power Consumption & Overheating Performance:
The Questyle M15 is equipped with the TOREX High-Efficiency Power Management Unit to archive a relative low power consumption to increase the battery life of your source, which was quite decent compared to other USB DAC/Amplifiers that I have used before, especially with such a powerful amplification capability.
What I also found quite impressive is the that the Questyle M15 doesn’t overheats after long listening periods, even while powering some of my high demanding full sized open-back planar headphones such like HiFiMAN Sundara or SIVGA P-II.
Equipment’s used for this review:
- DAC/Amplifiers : Questyle M15, Cayin RU6, Shanling UA5
- USB Source : Samsung Galaxy Note10 Plus, Asus TUF FX505DU
- IEM’s : Meze Audio RAI Penta, Campfire Audio ARA, Kinera URD
- Headphones : SIVGA P-II, HiFiMAN Edition XS, HiFiMAN Sunadra
Albums & tracks used for this review:
- Adele – My Little Love (Spotify)
- Randy Crawford – On Day I Will Fly Away (Flac 16bit/44.1kHz)
- Hayley Westenra – Odyssey Album (Dezzer HiFi)
- Dionne Warwick – Walk On By (Flac 16bit/44.1kHz)
- Sarah McLachlan – Angel (Flac 24bit/48kHz)
- Sertap Erener – Aşk (Flac 16bit/44.1kHz)
- Sonya Yoncheva – (Giuseppe Verdi) II Trovatore, ActI (Flac 24bit/44kHz)
- Edith Piaf – Non Je Ne Regrette Rien (Flac 16bit/44.1kHz)
- Diana Krall – So Wonderful (DSF)
- Aretha Franklin – I Say A Little Payer (Flac 24bit/96kHz)
- David Bowie – Heroes (Flac 24bit/192kHz)
- Elton John – Rocket Man ((Flac 24bit/96kHz)
- Barry White – Just The Way You Are (Flac 24bit/48kHz)
- Isaac Hayes – Walk On By (Flac 16bit/44.1kHz)
- Sting – Englishman in New York – (Flac 24bit/48kHz)
- Eric Clapton – Wonderful Tonight (Flac 24bit/96kHz)
- B.B. King – Riding With The King (Tidal Hi-Fi)
- Dave Gahan – Kingdom (Tidal Hi-Fi)
- U2 – Sunday Bloody Sunday (Flac 16bit/44.1kHz)
- Bro Safari, UFO! – Drama (Deezer HiFi)
- Armin Van Buuren – Vini Vici (Flac 16bit/44.1kHz)
- Really Slow Motion – Deadwood (Deezer HiFi)
- Massive Attack – Angel (Flac 24bit/192kHz)
- Lorde – Royal (Flac 24bit/48kHz)
- Toutant – Rebirth (Deezer HiFi)
- Gogo Penguin – Raven (Flac 24bit/192kHz)
- Portishead – It Could Be Sweet (Spotify)
- Charly Antolini – Duwadjuwandadu (Flac 24bit/192kHz)
- Michael Jackson – Billie Jean (Flac 24bit/192kHz)
- Ferit Odman – Look, Stop & Listen (Flac 24bit/192kHz)
- Chopin – Nocturn No. 20 In C-Sharp Minor (Flac 16bit/44.1kHz)
- Fazıl Say – Nazım Oratoryosu (Live) (Flac 16bit/44.1kHz)
- Vivaldi – Le QuarttroStagioni “The Four Season” (Deezer HiFi)
- Otto Liebert& Luna Negra – The River (Flac 24bit/192kHz)
- Lunatic Soul – The Passage (Flac 16bit/44.1kHz)
- Deftones – My Own Summer (Shove it) (Flac 16bit/44.1kHz)
- Photek – The Hiden Camera (Spotify)
- Muse – Hysteria (Flac 24bit/48kHz)
- Metallica – Sad but True (Flac 24bit/96kHz)
- Opeth – Windowpane (Flac 16bit/44.1kHz)
- Megadeth – Sweating Bullets (Tidal Hi-Fi)
- Rush – YYZ (Flac 16bit/44.1kHz)
- Rush – Leave That Thing Alone (Flac 16bit/44.1kHz)
- Slayer – Angel of Death (Spotify)
- Liquid Tension Experiment 2 – Acid Rain (Spotify)
- Yosi Horikawa – Bubbles (Spotify)
The Questyle M15 immediately impressed me with is very natural, pretty organic, balanced and highly transparent overall sound presentation, which also benefits from an ultra-clean & pitch-black background that creates an atmosphere where you can hear even the smallest micro details.
This review has been written after a burn-in period of approx. 80 Hours. I have paired the Questyle M15 with sources like the Samsung Galaxy Note10 Plus and the Asus TUF FX505DU PC. My sound impressions below are mainly based on my experiences over the 4.4mm Balanced output paired with the Campfire Audio ARA, Kinera URD, Meze Audio RAI Penta IEM’s and HiFiMAN Edition XS and SIVGA P-II headphones.
The Questyle M15 offers a very natural and balanced bass response along with a decent grade of technical performance. The general bass character of the M15 can be described as highly controlled and quite detailed, from the subbass up to the midbass area.
The subbass region of the M15 reaches pretty low and offers a good sense of rumble and control paired with IEM’s like the Kinera URD or Meze Audio RAI Penta when I do listen to songs like Bro Safari, UFO’s “Drama“, Lorde’s “Royals” or Massive Attack’s “Angel”.
The midbass region is one of the highlights of this ultra-portable DAC/Amplifier that is reproduced with great sense of impact, clarity and authority when I do listen to complex passages Charly Antolini’s “Duwadjuwandadu” or Gogo Penguin’s “Raven”.
Instruments from cellos to bass guitars do have a good level of weight and fullness, while snare and kick drums are represented in a pretty tight and impactful manner when I have listen to the Questyle M15 with high-end In-Ear Monitors like the Campfire Audio ARA and Meze RAI Penta.
The Questyle M15 shows a very natural, liquid and highly transparent midrange presentation with decent sense of airiness and headroom for instruments and vocals. The general tonality of the midrange is a tad warmer than neutral and pretty organic, which is one of the highlights of this small USB DAC/Amplifier.
The lower midrange of the Questyle M15 offers a pretty good sense of body and depth when I do listen to male vocals like Barry White, Elton John, Dave Gahan or David Bowie or to instruments like acoustic guitars, violas or trumpets. The upper midrange region is another highlight of the Questyle M15 that is reproduced in a quite detailed, dynamic yet controlled manner. Female vocals from Adel to Sarah McLachlan, Edith Piaf to Randy Crawford do sound lively, fluid and emotional, especially when I pair it with IEM’s like the Kinera URD, Meze Audio RAI Penta and HiFiMAN Edition XS headphone.
Instruments on the other hand do have a pretty natural timbre and are shown in highly detailed and well extending manner that surpassed my expectation from such a small and well-priced product. What also surprised me was the sense authority when I have listen to guitar solos with high level of distortion such like Megadeth’s “Sweating Bullets”, Slayer’s “Angel of Deaths” or to Rush’s “Leave That Thing Alone”.
The treble range of the Questyle M15 is fluid, highly controlled and detailed. It offers a decent sense of presence and brilliance when I do listen to instruments and soprano voices. The transitions in moment when instruments do play with high level of distortion are reproduced in a quite controlled manner with all IEM’s and headphones that I have listen to it, which is quite surprising for a devices that is equipped with a ESS Sabre DAC. This shows how well the sound engineers have implemented an ESS Saber DAC that sounds both detailed yet controlled in this area.
The lower treble range of the M15 adds to the overall presentation a decent level of clarity, while the extension is pretty successful while listen to instruments like snare drums or cymbals and soprano voices like Sertap Erener and Sonya Yoncheva.
The upper treble region is able to produce a pretty good level of airiness and sparkle when I do listen to instruments such like pianos, hi-hats or cymbals, especially when paired with the Campfire Audio ARA, SIVGA P-II and HiFiMAN Editions XS.
The overall control, extension and detail retrieval of the Questyle M15 is simply stunning, while the intensity and quantity in this area is not too much or too low, which makes it to a very versatile source.
Soundstage & Imaging:
The Questyle M15 has a fairly spacious and airy soundstage atmosphere that is suitable for a precise placement and separation of instruments and vocals. The soundstage of the M15 shows an efficient level of depth and wideness that is not spectacular but sufficient for such an Ultra-Portable USB DAC/Amplifier device.
Questyle M15 versus Cayin RU6:
The Cayin RU6 is one of the popular Ultra-Portable USB DAC/Amplifiers on the market that gained attention with its discrete R-2R DAC circuit design and powerful output capabilities for its size.
When it comes to the build quality, I can say that both products do offer a premium look and feel. The Cayin RU6 is slightly thicker and longer with dimension of 65×25.4×13.7mm, while the Questyle M15 is a bit slimmer and a bit wider with about 61.8×27.2x12mm. The RU6 has a small OLED screen that gives information about the sampling rate, volume, etc. and comes with physical hardware buttons that are dedicated for volume and mode selection. The M15 on the other hand has no screen or buttons for volume control, but comes with LED light indicators that do give information’s about the sampling and gain status, and is also equipped with a Low/High gain switch that the RU6 not has.
Both devices do offer both 4.4mm Balanced and 3.5mm Single ended outputs. The Cayin RU6 is equipped with its own 24-bit R-2R DAC design, while the Questyle M15 features the ESS ES9281AC DAC Chip. Both are capable to decode Native DSD up to DSD256 and PCM 24 bit/384kHz, while the M15 supports also MQA. The RU6 and the M15 are able to driver full sized open-back planar headphones such like the SIVGA P-II or HiFiMAN Sundara/Edition XS, while the Questyle M15 seems to be even more powerful than the Cayin RU6 especially on high gain. What I don’t like about the analog outputs of the RU6 is that there is an audible background noise, while the M15 is death silent. The EMI shielding of the RU6 seems not to be the best, since it has picks up some interference from my Samsung Galaxy Note 10 Plus, when I put them side by side.
As for the sound, I can say that both devices offer different flavours that can be preferred to each other. The Cayin RU6 shows a slightly warmer tonality that is close to the classical analog sound signature, while the difference is not very high. The Questyle M15 seems to be slightly more neutral in tonality, but has also a pretty organic timbre.
Both the subbass and the midbass region of the Cayin RU6 do show slightly more depth and intensity compared to those of the Questyle M15. However, the M15 has the upper hand in terms when it comes to the clarity, resolution and sense of authority in the lower frequency register.
The midrange of the Cayin RU6 has a pretty warm tonality and highly musical character that I really enjoy. The Questyle M15 on the other hand shows a slightly more natural, neutral and somewhat organic timbre when I do listen to both vocals and instruments. The M15 offers a higher sense of transparency and airiness in this area. The lower midrange of the RU6 shows a bit more body and depth, while the M15 has the slightly edge when it comes to the clarity and resolution in this register.
The upper midrange and the treble region of the Questyle M15 sounds slightly more highlighted and energetic/dynamic compared to those of the Cayin RU6, without to be overly sharp or sibilant. The treble region of both devices sounds in general pretty controlled, while the M15 has the slightly edge when it comes to the level of resolution, extension and separation that was quite audible when I do listen to instruments like cymbals or hi-hats.
The soundstage of both the Cayin RU6 and the Questyle M15 shows an efficient level of depth and wideness, while the M15 has the slightly edge when it comes to the depth and airiness of the stage. Another advantage of the M15 is its pitch black background that makes it easier to hear micro details.
Questyle M15 versus Shanling UA5:
The Shanling UA5 is the company’s new flagship USB DAC/Amplifier that I have reviewed recently. It is equipped with a build-in Lithium Battery that is part of its “Hybrid Power Mode” to reduce the power consumption of the source and to give the components a stabile energy source in order to increase the sound performance.
Both the Shanling UA5 is a premium looking device with a high build quality same like the Questyle M15. The UA5 is relative longer and thicker with dimension of 68x27x13.5mm (versus 61.8×27.2x12mm) while both are equal in terms of wideness. The UA5 comes with a small OLED screen that gives information about the gain mode, volume and sampling rate. Moreover it has a multifunctional wheel for volume adjustment and navigation that the M15 not has.
The UA5 is a pretty powerful device that offers both 4.4mm Balanced and 3.5mm Single Ended outputs like the M15. However the M15 is again more powerful compared to the UA5, especially at high gain, while both devices do offer a quite similar in terms of background noise performance, which is a tad cleaner on the M15. The Shanling UA5 is equipped with 2x ESS Sabre ES9038Q2M DAC chips, which do offer PCM decoding up to 32 Bit/768kHz & Native DSD up to DSD512, while the PCM and Native DSD decoding of the Questyle M15 is limited with PCM 32bit/384kHz and DSD256.
The Shanling UA5 shows a slightly brighter tonality and more energetic overall sound signature, while the Questyle M15 shows tad more neutral tonality and more balanced presentation from the lows to the highs.
The lower frequency region of the M15 sounds more dynamic, fast and has also the upper hand when comes to authority in complex bass passages such like Gogo Penguin’s “Raven” or Charly Antolini’s “Duwadjuwandadu”. Both devices do offer a clean and detailed sub- & midbass presentation, while the M15 is the source with the more fluid and natural character in this area.
The midrange of the Shanling UA5 shows a slightly brighter tonality and a more energetic overall presentation, while Questyle has managed do create a more organic and liquid midrange character from an ESS DAC chip. Both the UA5 and the M15 do offer a pretty transparent and airy midrange atmosphere with decent level dynamics and resolutions that can compete with full sized Android DAP’s with double or even triple the price. The lower midrange of the Questyle M15 shows a bit more body that was audible when I have listen to acoustic guitars and violas, while both do offer a fairly similar performance in terms of resolution in this area.
The upper midrange of the Shanling UA5 is slightly more highlighted yet a bit dry and sharp when I do listen to female voices or to instruments like clarinets, violins or pianos. t\The Questyle M15 on the other hand sounds pretty controlled and natural in this area, which makes is more compatible with different earphones/headphones and enjoyable for longer listening periods.
The treble range of the Shanling UA5 is slightly more pronounced and energetic compared to those of the Questyle M15 that shows a more balanced and natural presentation in this area. The lower treble region of both devices is detailed, extends pretty well and offers a decent sense of clarity and definition. The upper treble register of the Shanling UA5 is a bit more highlighted and detailed, while the M15 offers a higher level of authority and separation.
The soundstage of the Shanling UA5 is slightly more expansive, while the Questyle M15 shows a better performance when it comes to the depth of the stage.
I have tested many Ultra-Portable USB DAC/Amplifiers so that I can easily say that the Questyle M15 is one of the best available on the market. It immediately impressed me with its unique design, premium appearance and with its very natural, highly detailed and mature sound presentation. Moreover, it comes with both 4.4mm Balanced and 3.5mm Single Ended outputs that do offer plenty of power for demanding headphones and an ultra-clean background for sensitive In-Ear Monitors. All this features are packed in to a small device that can compete with full sized DAP’s that do cost twice or even triple the price that M15 has.
Thank you for the Read!